Flat Art Reproduction

Uniform light via Capture One’s Lens Tool

Flat Art Reproduction Image 1
• Setting up perfect uniform light for a flat art reproduction can be difficult and time-consuming.

• The Lens Correction Tool in Capture One can be used for creating a uniformly lit image when applying light for flat art reproductions.

• The LCC (Lens Cast Correction) feature will compensate not only for color cast and the light fall-off of the lens, but also for any variation and color shift in the illumination of the flat art.

How to apply uniform light with Capture One?

Flat Art Reproduction Image 2

In this example I lit the painting with only one lamp just to illustrate that even such a non-uniform light distribution can be made uniform by the software.

I used the highlight warning and the Levels-highlight slider to provoke clipping making it is easy to see the light distribution. The left image above is without Light Fall-off compensation. The right image above is with Light fall-off compensation applied. The entire background in this image is evenly lit and there is no clipping in the painting.

Steps for how to apply uniform light:

1. Place the flat-art on a flat background of matte white or matte gray material.
2. Light the flat-art. Try to obtain reasonable uniform light across the art.
3. Photograph the flat-art.
4. Remove the flat-art and photograph the background with the lens slightly out of focus. This image will serve as a “light” reference.
5. In Capture One use the image of the background to make a LCC file.
6. Apply the LCC file to the image of the flat-art. Make sure that both Color Cast and Light fall-off is checked, as this compensates for any variations in the illumination of the flat-art. The flat art will now look as if it was lit and captured with perfectly uniform light.

5 Responses to Flat Art Reproduction

  1. John Popp says:

    It is more advantageous to use this technique illuminating the subject from just one side, with perhaps a fill card on the other. The advantage is this allows brush strokes to be more defined and in the event of repair or restoration this becomes a critical component of the archived images.

  2. Pingback: How to “Flatten” Flat Art. | Museum Imaging

  3. Ron Burtonz says:

    Other than using a copy stand or repro camera, how do you get your focal plane and artwork exactly parallel?

  4. Ken Fleisher says:

    You could purchase a product called Zig-Align .

  5. Pingback: Museum and Art Reproduction Standards (links) « Ted Dillard

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