Get better organized when using Sessions in Capture One Pro 7

Tip716 Img1 1600When working in Capture One 7 Pro, you basically have two different methods of organizing your images and image adjustments. You can use either:

Catalogs or Sessions

A session is an easy, straightforward and efficient way of organizing your images, as all files, adjustments and metadata are kept inside the Session folder. This method makes it easy to archive or move your data to another computer, by simply moving the entire Session folder.

Read more about the difference between Catalogs and Sessions as well as the benefits of using each

When creating a new Session, a simple folder structure, including some basic predefined folders, will be created for you:

Capture folder
Selects folder
Trash folder
Output folder

A Session folder will, by default, have a Capture folder, which is the default location for saving files when shooting tethered or when importing from a memory card.

The Selects folder is a default folder ready for holding selected images from the Session. The keyboard shortcut Cmd + J (Mac) or Ctrl + J (PC) will automatically move selected files to the Selects folder.

The Trash folder will hold all deleted images. Whenever you delete an image from the session, the image and its adjustments will simply be moved to the Session Trash folder.  You can always go into the Trash folder and move any deleted files, including their adjustments, back to the original folder with a simple drag and drop. The Output folder is where all the processed image files are saved by default.


Create a Session for each job

It’s generally a good idea to create a new Session for every new job you have.  This way you never mix up images from different jobs or different clients.  You can easily switch between Sessions in Capture One 7 Pro. To do so, simply use the dropdown Session selector on the Library Tool tab or locate the Session you want to open in the Finder and double-click on the “.cosessiondb “ file (located within the Session folder).

The default Session gives you a basic Session workflow, but often you will need to add more Session folders in order to better organize your images.


How to add more folders to a Session

There are different ways to add additional Session folders.

The following method works both on Mac and PC.

Tip716-Img2_cirkle1) In Capture One 7 Pro select the Library Tool tab and create a new Session from the menu item “New Session”, or by clicking the “+” button next to the Session selector. In this example I have created a new Session named “2013 05 – Italy”, the name of the Session is also shown at the top of the Capture One window. I always use the naming convention: Year, Month and then the name of the event. This naming convention makes it easier for me to go back and find older Sessions.

2) Right-click on any of the predefined Session folders Capture, Select, Output or Trash and select “Show in System folders”.  This will locate the selected predefined session folder inside the System Folder tree.

Tip716-Img6_cirkle3) Now go one level up in the System Folder tree and select the folder with the Session name. Right-click and select “new inside”.  You can then select “Folder” and give the new folder a name.

Tip716-Img7_cirkle4) Repeat this procedure for every new folder you would like to add.

Tip716-Img8_cirkle5) Finally you can add these new folders to the Session Favorites by right-clicking on the folders in the “System Folders”  tree  and select “Add to Favorites”

Once you’ve added the new folders to your Session, they will show up in the Session Favorites list and be part of the Session.  The Session database will keep information about all images saved in these folders and you can now use the Search and Filtering functionality in Capture One and for instance create Smart Albums based on specific search criteria.

On the Mac there is another special method that you can use:

1) In Capture One Pro 7 select the Library Tool tab and create a new Session.

2) Right-click on the Session name at the very top of the Capture One window (2013 05 – Italy.cosessiondb) and select the option to open the Session folder in the Finder

Tip716-Img3_cirkleBy right-clicking on the name of the Session on the top of the Capture One window, you can
directly open the Session folder in the Finder.

Tip716-Img4_cirkleFolder selector when right-clicking on the Session name at
the very top of the Capture One window

3) In the Finder create the folders you need, quickly and easily.

4) Select the folders created in Finder and then drag them directly into the Session Favorites area in the Library Tool tab of Capture One.

Tip716-Img5_cirkle5) The newly created folders will now show up in the list of Session Favorites.

You don’t need to use the default predefined “Capture Folder” as capture folder.  Right click on any of your just added folders in the Session Folders list or in the Session Favorite list and select “Set as Capture folder”.  This will set the selected folder as the Capture folder.  In the Session Folders List you will now see a camera icon indicating that this folder is the Capture folder.

In my workflow I always keep the default Capture Folder even if I only import from memory cards.  I will add additional image folders to the session as just explained, but I will still import directly to the Capture Folder. I use the Capture Folder as a “work in progress” folder but once I have finished editing the files, I move them to the different Session folders, I’ve added to the session.

All the best,

Niels

Fixing Chromatic Aberration in Macro Images

Tip715 Img1 1600pxThe Lens Tool in Capture One 7 has the ability to apply automatic lens correction for a large number of cameras and lens combinations, and will automatically adjust for a number of lens artifacts like distortion, light falloff and chromatic aberration.

In order to do lens correction for a specific lens, Phase One has to measure the lens and extracted data that describes how the different lens parameters behave. These measurements are done at typical focus distances and describe very well the performance of the lens at focusing distances from normal close-ups to infinity.

However, when using a lens for macro photography the focusing distances can be quite far from those used when the lens was measured for analysis. Sometimes you can achieve better results by doing a manual chromatic aberration analysis on the individual image in the Lens Tool.

Tip715 Img2 fullIf we zoom into this macro image and look at the slightly out of focus high contrast edge, we see a strong blue color caused by the chromatic aberration in the lens.

Tip715-img3-full_arrowsBecause this is a macro image, the automatic lens corrections does not efficiently remove the chromatic aberration.

Tip715-img4-full_cirkleIn the Lens Tool you have the option to perform an individual Chromatic Aberration analysis on the selected image.  Click on the orange arrow to the right of the tool and you will access a dropdown menu with the option “Analyze”.
Tip715-img5-full_cirkleClick “Analyze” and after a few seconds a new Chromatic Aberration correction will be calculated based on the selected image. We now see that the previous strong blue color on the edge of the flower has been corrected.  If you click on the orange arrow, you will see a check mark next to the file name.  This check mark now indicates that the chromatic aberration reduction is based on data retrieved from this specific image.

So, for this macro image, it’s possible to achieve a much better chromatic aberration correction by making an analysis on the image instead of using the “Default” correction for the lens.

All the best,

Niels

How to Optimise your Workspace

IMG_1209Using Workspaces in Capture One Pro 7 is an easy way to customise and optimise the interface and the way you work with images. Capture One Pro 7 includes some default workspaces optimised for how most professional photographers work, but you can still make your own workspaces to:

-  Make your favourite tools more accessible, where you want them.

-  Change the layout and content of the toolbar

-  Make different workspaces for different tasks (Importing, Editing, Shooting, Focus Checking)

By streamlining the interface, functions and options can be found quickly and easily. Different tasks will also require focus on different parts of the software. For example, whilst selecting images from a shoot or moving images in your catalog, it is not necessary to have the tools on display, thereby creating more screen real estate for image viewing.


Switching Workspaces

Switching between Workspaces is easily done in the Window > Workspaces menu found in the toolbar. It’s also here you can save and delete your custom Workspaces.

image1

Building and Saving a Workspace

The simplified workspace in Capture One Pro 7 looks like this:

image2Many elements of the Workspace can be changed. A few examples:

-  Contents of the toolbar

-  Adding / Removing tools from a Tool Tab

-  Changing the position of tools in a Tool Tab

-  Adding / Removing Tool Tabs or Creating Custom Tools Tabs

-  Creating floating windows

-  Position of the browser and tools

Example

In the following example we can make some changes to the Toolbar and the Tool Tabs.

Toolbar
Right-click on the toolbar and choose Customize Toolbar.

image3This will bring up the following menu:

image4 copyThen simply drag and drop the required icons from the available selection into the toolbar.

image5

Tool Tabs

To add a Tool Tab, right click on the Tool Tab Area and choose Add Tool Tab.  A list of Tool Tabs that have not yet been added will be shown in the menu.

image6Choose one of the available ones and it will be added to the Tool Tab area.

image7Cmd-click drag to change the order of the Tool Tabs.

image8To add a tool to the currently open Tool Tab, right-click on the Tool Tab itself and choose Add Tool. If you don’t want a tool docked with the other tools, either drag it from the rest of the tools to the placement you want, or you use the menu Window > Create Floating Tool and create a floating version of whichever tool you want.

Play around with the options in the View menu to find the workspace setup that suits you. When you are happy with your new Workspace, choose Window>Workspace>Save Workspace.

image9
All the best,

Niels

Discover the shortcuts of the Adjustments Layers Tool

Tip714 Img1 1600By using the Adjustments Layers Tool in Capture One Pro 7 you can do image adjustments in up to 10 separate adjustments layers.

An adjustment in an adjustments layer will only be applied to the image, where an adjustments mask has been created. You create and adjust a mask for an adjustments layer by using the cursor tools named: Draw Mask, Erase Mask and Gradient Mask.

You can use simple shortcuts to change between the different mask cursor tools and to show the mask in a layer.

Tip714 Img2 fullThe image to the left is without any adjustments.  The image to the right has been optimized in Capture One Pro 7 primarily by using the Adjustment Layers Tool. Three adjustments layers have been used:

One layer to brighten up the cliffs to the left, a second layer to bring more contrast in the waterfall and to emphasize the sunbeam through the mist and a third layer to brighten the surface of the river.  Finally the overall white balance has also been tweaked.

Once you have selected one of the mask cursor tools you can use the keyboard shortcuts to switch between them:

(b) for Draw Mask
(e) for Erase Mask
(g) for Gradient Mask

Tip714 Img3 fullTo control how you want to see your masks, you can choose the options below in the dropdown menu for the mask cursor tools:

Always Display Mask (m)
Only Display Mask when Drawing
Never Display Mask (m)

Tip714 Img4 fullOnce you have selected an adjustment layer in the layer list you can change between “Always Display Mask” and “Never Display Mask by simply using the keyboard shortcut (m).

The shortcuts explained here are using plain letters, no Cmd or Ctrl combinations.

All the best,

Niels

How to make the most of the High Dynamic Range Tool

Tip713 image1 fullWith the High Dynamic Range Tool (HDR Tool) in Capture One 7 you can optimize images with a high dynamic range and extract details and regain otherwise lost colors in both shadows and highlights.

The tool has individual sliders for controlling recovery of highlights and of shadow details.

If values over 70-80 are needed in one of the sliders, it can be a very good idea to use the Exposure Tool to bring in the exposure as a first step. As a second step, use the HDR Tool to extract the desired details and colors in both highlights and shadows – now with lower slider values. When lower and more similar values of the shadow and highlight slider are used, you will typically achieve a more realistic and pleasing image.

Tip713 image2 fullThe image to the left is directly out of the camera. The high dynamic range of the scene makes it difficult to see details and color in the shadows, but also the sky has lost some color. The image to the right has been optimized in Capture One 7, primarily with a combination of the Exposure Tool and the High Dynamic Range Tool. Finally the Keystone Tool has been used to correct the perspective.

To illustrate the effect of using the slider in the Exposure Tool followed by the High Dynamic Range Tool, I have shot a series of test images with different exposures.

Tip713 image4c fullThe first image is exposed with clipping of only the extreme highlights. This exposure gives a perfect definition in the bright elements in the scene, but all the shadow details are barely visible. For the last exposure, we have a reasonable amount of details in the shadows, but the highlights are overexposed and you can hardly see the large red poster on the building in the background.

Let’s start with the first image, which is exposed with good highlight details, but with very dark shadows. To bring back the shadow details, I could use the shadow slider in the High Dynamic Range Tool.

Tip713-image5-fullUsing only the shadow slider in the High Dynamic Range Tool, I need a value of 90 to open up the shadows. However by doing so, I won’t get a natural looking result.

To achieve a more natural looking result, I will use the exposure slider to open up the shadows first. This will lead to overexposure in the highlights, but this can easily be fixed with the highlight slider in the High Dynamic Range Tool.

Tip713-image6-fullThis is the same image as before, but now I am using the Exposure Tool to generally open up the image and the High Dynamic Range Tool to bring in the highlights and the shadow details. Note that I have the same value for both the highlight and the shadow slider. The image now looks much more natural.

Having this idea in mind, I will correct the last of the 4 images, which was the one exposed with EV +2.

Tip713-image7-fullInstead of only using the highlight slider in the High Dynamic Range Tool, I start out by using some negative exposure compensation in the Exposure Tool and then use the High Dynamic Range Tool. Once again I use similar values for the shadow and the highlight slider, and I achieve a natural looking image with a good balance of shadow and highlight details.

Tip713 image8b fullBy using this technique it’s possible to adjust all 4 images to give the same natural looking result. An amazing result given we have a 2 f-stop exposure variation from the left to the right image.

All the best,

Niels

Creating High Dynamic Range images

Tip712 Img1 1200Capture One Pro 7 has an improved High Dynamic Range (HDR) Tool. This tool is designed to deal with images where the dynamic range of the scene is wider than what normally will be rendered by the default tone response curve in Capture One Pro 7.

The High Dynamic Range Tool in Capture One Pro 7 gives you the possibility of bringing back details otherwise hidden in both highlights and shadows at the same time.

The improved HDR tool use sophisticated algorithms allowing you to control details in the highlights and the shadows independently of each other. For instance when working with the highlight slider you will not affect tonality in the shadows.

Tip712 Img2 fullThe left image is straight out of the camera. The image to the right has been improved primarily by using the
High Dynamic Range Tool in Capture One Pro 7. The tool has brought back details in the shadow as well as in the blown out parts of the sky.

To see what has actually been captured by the camera sensor in both the shadow and the highlights, I start by dragging the exposure slider.

tip712 img3 fullDragging the exposure slider up, I see that the sensor has captured lots of details in the dark foreground.

Tip712 img4 fullDragging the slider to negative exposure values, I see that even though the highlights looked as if they were burned out, the software is still able to recreate all the highlight details.

Having realized that the RAW image file actually contains valid (but hidden) information in both the shadows and the highlights, I now know that I will be able to improve the image the way I would like to.

Tip712 img5 fullIn the High Dynamic Range Tool I use the sliders to bring back the details of the dark foreground and in the bright sky. This image needs quite high values to get the desired level of highlight details, but the image also becomes a bit flat and lacks some kind of contrast after adjusting both Highlight and Shadow.

Tip712 img6 fullTo compensate for the lack of contrast, I use the Clarity Tool and the method “Punch” with Clarity 35 and Structure 15. These settings bring back some local contrast to the image and makes the image look much more natural and much closer to how I saw the scene with my own eyes.

Tip712 img7 fullFinally, I add a bit of Contrast and some extra Saturation in the Exposure Tool.

All the best,

Niels

Presenting in Capture One Pro 7

Campaign_Window_DeMarcoShootout_10223_80 mm_f4.8_ISO200There are two great ways to present your work in Capture One.  Either with a Slide Show or via a Web Contact Sheet.

A Slide Show is a great way to just show images, with none of the other elements of Capture One showing, like the Tools and Browser, for example.

A Web Contact Sheet can be used to create a simple page viewable by any web browser. This page can be uploaded to your website or it can be shared via email. The Slide Show happens instantly with any selection of images while the Web Contact Sheet is setup up in a moment.

Starting a Slide Show

A Slide Show can be started instantly with any selection of images.  Simple select a number of images in the browser and choose View > Slide Show.

2013-03-26_11-33-10_460The Slide Show will start with a clean full screen display.

mand_zoomIf you hover the mouse over the image at any time you will see a small tool pallet.

The fourth icon controls the Slide Show settings (see below).

pilClicking the Settings icon will open the following dialogue.

2013-03-26_11-40-35Choose a variety of different image transitions in the pull down menu and select the amount of time in seconds per image.  The ‘Loop’ check box when marked, will run the images continuously until exit. A good tip is to use the filters tool to select only your 5 star rated images, if you want to view those on the slide show. This could also apply for any item in the Filters tool, like a Color Tag.

2013-03-26_11-49-26
Creating a Web Contact Sheet

As before, select the images you want to appear on the Web Contact Sheet or use the Filters tool.  Then choose, File>Make Web Contact Sheet. The following window will open, giving a preview of how the Web Page will look like.

tibillederThe settings can be changed on the left hand side of the window.

2013-03-26_12-08-37In the Layout section there are a choice of themes. Changing to a different one will update the Preview. Fill in any description you wish, and change the image settings. Finally choose an output location and click Export. If we look in the Finder, we can see the output from Capture One.

lille_menu‘index.html’ can be opened in any web browser to view the contact sheet.

tomenneskerIf you want to send the whole gallery to a client or associate, remember to send the whole Contact Sheet folder or simply compress it into a .zip file.

All the best,

Niels


 

Choosing the right f-stop for long exposure night shoots

Tip711-Img0 1600 - thisBy using long exposure times for exposing water in movement, its possible to achieve a very nice silky effect. Typically an exposure time of 15-60 sec is enough to turn a moving water surface into a flat silky looking surface.  Depending on the conditions you may need to expose up to a couple of minutes.

To achieve this long exposure time for a night shot, simply by selecting a smaller aperture like f22 and f32, may not be the best solution, as lens diffraction at these apertures have a significant negative influence on the contrast and the sharpness of the final image.

You will achieve a much sharper image, if you use a lover f-stop in the range f8  f11. To ensure the right exposure time, try using high quality Neutral Density (ND) filters instead.

Tip711-Img2A full - thisThe image above shows a zoom into the central part of the image without any image adjustments added.  The same image is shot at both f=8 and f=22. It is obvious using f=22 decrease the sharpness and the local contrast significantly. You can hardly read the Gulf logo.

Sometimes its a good idea to make an aperture sweep to learn more about the behavior of a specific lens. It is necessary to use a very sturdy tripod and manual focus, in order not to be influenced by variations in the autofocus system.

Tip711-Img3 full - thisThe 4 images above are 200% zooms into to central part of an image.  At this zoom level we can see how the lens diffraction effect gradually decreases the sharpness of the image.   At f11 we still have great sharpness, but at f16 an obvious loss of sharpness appears. At f22 we really lose a significant amount of sharpness and local contrast.

Lets take a look at the surface of the water and observe the effect of using long exposure time for the shoot.
Tip711-Img5 full - thisIn this case the 15 sec exposure gives the wanted silky look of the water surface. For the best result, I should use a neutral density filter giving a 15 sec exposure at f8 or f11. The image is shot using a wide-angle lens so there will be no problem with depth of field using f8 or even f5.6.

If I havent got my ND filters with me, and I still want the silky water look from the f22 shot, then I can use the Clarity tool in Capture One 7 to improve on the lost local and also improve quite a bit on the loss of sharpness.

Tip711-Img6 full - thisA 100% zoom into the central part of the image.  The Clarity tool from Capture One 7 has been used in the image to the right.  I use Clarity=40 and Structure=20 for this image.  These settings bring back the loss of local contrast and improve the perceived sharpness of the image.

With the Clarity tool we have been able to dramatically improve the loss of quality due to lens diffraction at f22. A better solution to achieve the 15sec exposure time would have been to use a high quality ND filter and an aperture between f8 and f11.

All the best,

Niels

Discover the Top Ten Popular Questions from our Webinars

60s-graphics3_fullArt Director: Jennifer Adie – Stylist: Sonia Genders - Hair and Makeup: Cassie Steward - Digital Tech: Paul Haycock
Model – Rebecca Wharton at Industry People - Assistant H&M: Jemma Stokes

Our webinar program was launched last year and so far we have broadcasted sixteen webinars on seven different subjects, reaching 1000’s of you. We aim at making short webinars with a demonstration and a Q&A session to get you started with using the software – or inspired to try it. If you wish to have more in depth training, you can check out our upcoming events or contact your local Phase One Partner through our partner locator, as many of our partners also offer webinars as well and other training options.

We plan to continue with more webinars in 2013 and hope you can join us.  Each webinar always ends with a question and answer session and we thought you might like to see the top ten questions and answers. We hope you can benefit from this information – or maybe get inspired for your next job.

Capture One Webinars

Capture One Pro 7 was launched last October, and we started our webinar program to help everybody get acquainted with the new features and learn how to use the software quickly and efficiently.

Each webinar normally lasts an hour, with the last twenty minutes devoted to questions. Below are the top ten questions we received and the answers given.

Top Ten Questions

1. Is the actual processing of the raw files in Capture One Pro 7 different to version 6?

Absolutely!  We have completely reengineered the algorithms used to convert the RAW image to your final image.  We believe the result is a quantum leap in image quality with better detail, lower noise and more accurate colours.  This is the case for any camera that we support.

2. Should I use Capture One Pro 7 instead of Media Pro?

There are many compelling reasons why you might want to switch from using Media Pro to Capture One Pro 7, as the latter now includes asset management. If you are using Media Pro purely for image files, then think about importing your Media Pro catalog into Capture One. This can be done from the File menu in Capture One.

The asset management in Capture One 7 does not support cataloging of non-image files like PDF documents or using hierarchical keywords. Therefore, if you need those functionalities, sticking with a Capture One and Media Pro integrated workflow might be the solution for you.

3. How do I get my Sessions into a Catalog?  If I make changes to a Session is it reflected in a catalog?

First of all, remember that a Catalog and a Session are two different methods of file management.  See my earlier blog post Take control of your image organization with Sessions or Catalogs for more details.

With Capture One 7.1 we added an Import Session feature, which brings a Session into a Catalog, automatically creating a Project and holding all the Session information.  But to answer the original question, once the Session has been imported, any changes made on the Session itself won’t be changed in the Catalog.  Therefore it is a good idea to use this method for archiving completed Sessions.

4. What is the maximum number of images that can be stored in a Catalog?

There is no theoretical maximum!  However, if you go beyond 100,000 images then you might see a performance slow down.  You can keep your catalog performing nicely if you work with fast storage even if using external drives.  Capture One Pro 7 can also work with multiple Catalogs, so you might like to use more than one Catalog, i.e. one for your work from each year.

5. Can I store images in a Catalog in my own Folder hierarchy?

Yes of course.  If you import images electing to store them at their current location and including all subfolders, the Folders area in the library tool will reflect the folder structure.

6. Do you support my camera?

See a complete list of supported cameras here

7. What other ways can you help me learn Capture One?

There are several ways to continue your learning of Capture One.

1 – Visit our help site for a complete searchable instruction manual

2 – Visit our YouTube channel and watch the many Capture One Pro 7 tutorials

3 – Check out our upcoming events and webinars here

4 - Go to your local Phase One Partner for bespoke training

…and not to forget this blog!

8. Why are the noise reduction settings the same for all cameras?

Each camera we support is individually optimised for noise reduction (amongst other things).  The settings are always 50 and 50 in the Noise reduction tool but the level of noise reduction is camera dependant.  So ‘under the hood’ the level is different.  We keep it at those values so you know that this is our best choice for optimisation and you can choose to adjust it accordingly to your liking.

9. What do the new Clarity methods do?

‘Classic’ is the same process as Capture One Pro 6.  ‘Neutral’ is a new improved version for Capture One 7.  ‘Punch’ works in a similar way to ‘Neutral’ but also increases local colour saturation.

10. Are you planning to add more lenses to your profile list?

Yes. We work very closely with the manufacturers to do so.  Look out for new lenses as we release new versions of Capture One.

Future Webinars

Our upcoming webinar program can be viewed here.  There are links to sign up  for the specific webinars and there are normally two on the same day, for different time zones.

Webinars are also recorded so attendees can view them at a later date for further learning.

You will also get your chance to shape the future webinars by answering a small survey, which we also send out to the attendees.

We hope you have enjoyed the webinars so far and look forward to continuing this exciting program in 2013.  Remember, for more in-depth training; don’t forget to visit your Phase One Partner.

All the best,

Niels

Get smooth skin tones using negative Clarity

Tip710 Img1 full

The Clarity Tool in Capture One 7 can be used with both positive and negative slider values.

Typically positive values work great for enhancing landscape images where the tool makes all larger elements in a picture stand out and improves the perceived sharpness of details at normal viewing distances.

When using negative values for the Clarity Tool, it can be used to decrease local contrast in an image. This is particularly effective for creating smooth looking skin tones.

By using the Local Adjustments Tool you can apply the negative Clarity precisely where it is needed in a portrait image.

image2_630

The image to the left is directly from the camera. The image to the right has been adjusted using a Local Adjustments layer with negative Clarity.  The Adjustments layer has only been applied to the cheeks, nose and chin. The negative Clarity gives the skin tones a softer and more pleasing look.

How to make soft skin tones:

In the Local Adjustments Tool tab, I add a new adjustments layer by clicking the “+” button.  I name the layer “Skin tones”.

Using the Draw Mask Cursor Tool, I draw a mask over the area of the face where there’s too much structure. In this case the cheeks, nose and chin.  To set the radius and hardness of the brush, I select the Draw Mask Cursor Tool and right-click. I set the hardness to 0 to ensure, that the correction I make, will fade smoothly into the background layer.  I adjust the radius instead of the hardness.  It’s not important to be that accurate as you can modify the mask later.

Image3_630

Using hardness 0 and a fairly large brush size, I can’t avoid drawing a little bit into the eyes and the lips, which is where I want maximum sharpness.   To correct the mask, I select the “Erase Mask” Cursor Tool.  This time I will use a hardness of 20 to 50%, as I will be working close to the outline of the lips and the eye. I want a fairly soft transition, as it will look much more natural than if you use a hard edge with Hardness 50 -100 %.

The part of the mask covering the dark shadow around the nose also needs to be erased, as this shadow will lose contrast when applying negative Clarity correction. In this case I set the hardness of the eraser brush to 0 ensuring a smooth blend between the correction layer and the background layer.

image4

When the mask is finished, it’s time to apply the negative Clarity correction.For a portrait like this, I use -100 for both Clarity and the Structure.  I will use the Method called Punch.  The method can only be set at the background layer, as it needs to be the same for all Adjustment layers. Punch makes a minor local saturation change.  When used with negative values, this saturation difference is less visible which is a desired effect for skin tone reproduction.

All the best,

Niels

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