Desert Oak, Curtin Springs Station

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It’s off on an adventure, down an unmarked dirt road through the Kings Creek Station and into Curtin Springs Station. It’s hundreds of square kilometres of remote outback Australia and only a handful of people have access to the track, so we see no one else for the next day until we reach the Lasseter Highway several hundred kilometres south.

Our vehicle is purpose designed for this sort of travel, yet even so we find ourselves bogged at the top of a particularly soft sand dune. No trouble! We bundle off the vehicle, grab the metal boards from the trailer and dig them under the wheels. It doesn’t take us too long to sort it out, but we do unload a few suitcases to make the vehicle lighter. Was that a good idea? Possibly not as we found ourselves carrying our suitcases along the sandy track to the rescued vehicle – it certainly made a comical picture.

Photo2_CR_sharpenedFuture sand dunes were approached at higher speed and we only had one more situation to deal with. It certainly made it exciting for a bunch of people used to life in the city, although I dare say our driver Dave was a little unhappy with himself getting bogged the second time!

It’s amazing how much the landscape changes and we soon found ourselves in some beautiful parklands. We sheltered in the shade of desert oaks and set up camp well before sunset, giving us time to prepare our meals and take photographs as the light improved. We all went our separate ways, investigating the surroundings and struggling a little with the complex landscape.

However, once the sun was gone and the stars were out, we discovered a fantasy land right next to our campsite. The red embers from the fire were throwing a warm light on the surrounding trees, contrasting beautifully with the Milky Way above. We tried different exposures from 10 seconds to a couple of minutes, hoping there was not too much breeze moving the delicate leaves.

Screenshot1_630x420_sharpenedPost-Production

Between the shoot and preparing this blog post, Capture One Pro 7 has been released and it was an interesting insight to see just how much better the new version is. Look at the comparison pics below.

Comparison_CR_sharpenedI have done my best to ensure the settings in Capture One for both versions were identical so we have a fair comparison. However, there is some folly in this argument because maybe Capture One 6 (on the left) needs different settings to look its best. Even so, to my eye there was a clear improvement the moment I pressed the ‘Upgrade’ button to change to the new processing engine.

The noise reduction has been handled automatically – I haven’t knowingly tweaked the settings. I mean, this is a pretty tough image to process. Taken on an EOS 60D, I think even Canon would agree that ISO 3200 is towards the limits of the camera’s capability (technically, it can be pushed to ISO 12,800). Give your subject lots of light and the camera will perform miracles, but here the foreground and the tree are either in darkness or lit by the dying embers in a fire some 50 metres away.

Can you see noise and grain? Yep! Do I like it? Yep – I think the image has a really great painterly feeling to it. Is it technically perfect? Who cares! In terms of communicating the amazing stars you see in Australia’s Red Centre, and the enjoyment of camping out in a swag, I think the resulting image does an admirable job. So I’m happy!

Step1_CR_sharpenedThere was a colour difference between the top of the tree and the bottom of the tree (see photo above), so I added in a Local Adjustment and adjusted the colour of the top of the tree to match the bottom. Not exactly sure why there was a colour difference in the first place (possibly tall grasses filtering the light from the fire), but it was easy to fix.

Step2_CR_sharpenedNext, I added a second Local Adjustment to lighten the foreground, putting in some detail that doesn’t deserve to be there. It was a 76 second exposure, so the grasses have moved in the evening breeze, but as a descriptive image, I am happy with this.

Peter Eastway is a professional photographer and photography magazine editor based in Sydney, Australia. If you would like to accompany Peter and Tony Hewitt on a seven day Central Australia ‘Adventures in Oz’ workshop in August 2013, click here for more information.

And if you’d like to see a short movie explaining in more detail how Peter processed this file in Capture One, click here.

To see more of Peter’s photography, visit http://www.petereastway.com. Peter also offers an online Landscape Photography MasterClass. It contains articles and videos, outlining his camera and post-production techniques. Details can be found at www.betterphotography.com.

Improved High ISO Performance with Capture One Pro 7

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Capture One Pro 7 has introduced a new processing engine giving you quality improvements in a number of different areas – especially for high ISO noise reduction.

The new method for noise reduction brings:

  • Greatly improved noise reduction for high ISO images
  • Optimized noise settings for all supported cameras to create the best compromise between detail and noise reduction at all ISO levels
  • New noise reduction strategy which separates meaningful detail from the noise allowing more sharpening and less noise
  • New default values for noise reduction sliders

The image for this post was shot with a Canon 40D. The scene was only lit by candlelight and it was necessary to use ISO 3200 to achieve a good shutter speed even when using a 50mm lens at f 1.8.

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JPG out of the camera                          Capture One Pro 6                                  Capture One Pro 7

The image to the left is the JPG straight out of the camera. You will notice plenty of color noise in the background and a general lack of sharpness. The center image was processed in Capture One Pro 6. Here, the color noise is well under control but the luminance noise still cause problems.  The image to the right has been processed with the default noise reduction settings in Capture One Pro 7. Now, we get a sharp image where both the color noise and luminance noise is well under control.
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JPG out of the camera                            Capture One Pro 6                                  Capture One Pro 7

Here we see another zoom from the same image. Again, it is obvious to see the improvements from the JPG to the version processed in Capture One Pro 6 as well as the difference from Capture One Pro 6 to Capture One Pro 7. Notice how sharp and crisp the reflection in the Christmas bulb appears in the image processed in Capture One Pro 7.  Also notice how well the deep and dark color tones have been cleaned up while all the color tones have been preserved. You can click on the image to see it in full resolution.

New defaults for noise sliders in Capture One 7

As the noise reduction engine has been completely reengineered for Capture One Pro 7, we have also changed the behavior of the noise reduction sliders.

In the Noise Reduction Tool, the Luminance slider and the Color slider now have default values at 50.  In the Noise Reduction Advanced Tool, the slider previously known as the “Surface slider” has been replaced by the “Details slider” which also defaults at 50.

Even though the noise reduction sliders by default are set to 50, Capture One Pro 7 will, under the hood, make sure that these values give you a good compromise between preserving detail and removing noise at all ISO levels.

By default, the Single Pixel and Fine Grain sliders will show a value that depends on the camera model and the ISO level.

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New default values for sliders in Capture One Pro 7

Creating your own default values for your camera

The Luminance slider and the Details slider now work together. The Luminance slider is used to adjust how much Luminance noise reduction you add to your image overall. With the Details slider, you can then change the balance for a selected level of Luminance noise reduction to retain more micro detail at the cost of showing more noise.

If you generally like a different compromise between noise and image detail than the default settings, you can save a new set of defaults for your camera. These new defaults will then be used at all ISO levels.

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To create your own default noise settings, you need to save a default for both the Noise Reduction Tool and the Noise Reduction Advanced Tool.

Are you using the new processing engine for noise reduction?

Remember, if you are looking at images that have previously been processed in Capture One Pro 6, you will still be using the old processing engine by default and you will not experience all the new noise reduction improvements. To use the new noise settings for such an image you can create a new variant. The new variant will by default be using Capture One Pro 7’s new processing engine as well as the new noise reduction.

Happy Holidays to all of you!

All the best,

Niels

Photography through the lens cap

A Phase One IQ back on a medium format camera has an extremely large dynamic range allowing you to open up really deep shadows while still retaining the highlight details.

This extraordinary dynamic range makes for really extraordinary photos!

No matter how skilled we are, we all make mistakes and so did I the other day. I was shooting with my favorite lens which is marked with the “focusing sweet spot” (See my tip about finding the focussing sweet spot here) and I forgot to remove the lens cap. I noticed it after the first shot, and removed the cap. When I got home, I imported all the images, including the shot with the lens cap still on, to Capture One.

Out of pure curiosity, I tried to see if anything was actually captured in the image with the lens cap. To my big surprise, the extreme IQ180 back had actually captured some information. Naturally, the colors did not look anything like the normal visual spectrum but I still managed to get a quite interesting image with colors that remind me of IR photography. Some heavy noise reductions were needed but then I got this image:

The left image is the original capture shoot with the lens cap still on. To the right is the same image after opening up the shadows in Capture One Pro 6.

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