Creating your own Styles and Presets
Whether you use Styles and Presets as a large part of your editing process, or simply browse through them occasionally for inspiration, they can be hugely beneficial to any workflow. This blog post will describe some best practices to make your Styles more useful and broadly applicable for optimal results. If you don’t already have
Portrait and Beauty Retouching Workflow
In today’s world where images are output to a variety of media, and client changes are commonplace, an efficient and flexible workflow is just as important as the quality of your final image. The goal of this post is to take you through my retouching workflow, from tethered capture to Photoshop and all the way to image output, and show how you can get great quality results while remaining agile and efficient.
Steve Gosling reviews the IQ3 100MP Achromatic
Landscape photographer, Steve Gosling, recently took to the English and Scottish coast and countryside, with the IQ3 100MP Achromatic digital back in tow. He shares his thoughts on black and white photography and Phase One’s latest digital back. Back to the roots of my passion for photography I’ve been taking photographs since the age of
Managing Multiple Headshots
When shooting corporate headshots, or other portraits of many individuals, time is often an important factor. You don’t get many minutes per person, and after several days of shooting, you often end up with a huge number of images. Managing an entire company’s batch of headshots can be complicated, but it doesn’t have to be time consuming or difficult. Capture One is a super powerful tool to help with this task.
The Secret to Perfect Portraits with Alexander Vinogradov
Our guest photographer, Alexander Vinogradov, gives us his advice on important aspects of portrait photography; from finding the perfect face to editing after the shoot. Read on to get inspired and learn about Alexander’s top tips and tricks that helped earn him the prestigious Sony World Photography Award this year. Download a free 30-day trial
PSD Workflow Advantages
Capture One Pro is a funny thing. Not in the comical sense, but in the sense that it seems to get better and better with time, anticipating the needs of its intended audience. That may seem like the obvious evolution of a software, incrementally improving the experience for its users, but I’m sure many of
THE IMAGE QUALITY PROFESSOR'S BLOG
Tips and tutorials for Capture One Pro
- The importance of Flow control August 11 2016
Do you want better results in a shorter space of time? Read David’s guide on how to control your flow with the new brush settings in Capture One Pro 9.
- Cityscapes with the Phase One A-series August 2 2016
Peter Marshall, technical supporter at Phase One, recently visited China where he jumped at the opportunity to photograph some of the most iconic skylines in the world with the Phase One A-series and IQ280 digital back. Read on to hear his firsthand account of shooting cityscapes in high traffic areas and difficult weather conditions.
- Second to None Color with Pratik Naik July 28 2016
According to high-end retoucher, Praktik Naik, the RAW processing stage is the most crucial element in photography. Personally, he prefers Capture One Pro 9; Watch his video to learn why it gives him the best color and result.
- Top 10 reasons to switch to Capture One Pro 9 – Part II July 22 2016
Photographer and Image Processing Specialist, Alex Svet, is back on the blog with his top 5 reasons for switching to Capture One Pro 9.
- Top 10 reasons to switch to Capture One Pro 9 – Part I July 18 2016
Why choose Capture One Pro 9 rather than other RAW-converters on the market? Professional photographer and image processing specialist, Alexander Svet, gives you the answer by stating some of his top reasons for choosing Capture One Pro 9.
- A successful collaboration with separate viewpoints July 14 2016
Landscape photographer Karl Holtby has teamed up with Darryll Jones and the Alpa A-series, something that is new to him. See the amazing result of a successful collaboration despite of two separate viewpoints.